I was in graduate school when the call came. My mother explained that my grandfather would be going to the doctor in the morning. He had to take a shower that night, and his foot was wrapped in plastic so he wouldn’t get it wet. “He wants you to help him,” she said.

Documentation of Adam Overton interpreting Exit Strategies by Liz Glynn, on November 4, 2008, Los Angeles, CA, as part of Exchange Rate: 2008, an international performance exchange organized by Elana Mann. Photo by Vivian Babuts.

As an artist, almost everything I do contributes to the “brand” associated with my name, but when I’m playing roller derby I’m known only as PLAYER 1.

Inside the Ship of My Imagination
Driving through the Arizona night sky. Driving through Arizona, looking up at the night sky. There are certain places known for their darkness, a quantitative way of describing visibility of the heavens from the ground: a term I’ve forgotten (illuminance?)

Parson’s Branch in Bessemer, Alabama, did not have octopus, but I did learn to catch snapping turtles by hand. I grew up with a bamboo fishing pole in one hand and a .22 caliber rifle in the other.

Avantika Bawa
- Susan Richmond -
Katie Pell
- Garland Fielder -
Temporary Services {read more}
- Kurt Mueller -
Justin Boyd
- Kurt Mueller -
Peter Barrickman & Petra Cotright
- Alison Hearst -
Olafur Eliasson {read more}
- Noah Simblist -
Lily Hanson
- Matthew Bourbon -
Margaret Meehan {read more}
- Charissa Terranova -
Sarah Lucas
- Erin Starr White -
Prospect1. New Orleans
- Erin Starr White -
Quietly
- John Ewing -
Artist as Troublemaker
- Riley O'Bryan -
Field Reports
- John Ewing -
Doubt {read more}
- Alex Jovanovich -
Seven Days in the Art World
- Michelle White -
Eric Rohmer: Film as Theology
- Alan Reid -
Postmodernism, Postsocialism and...
- Tyrus Miller -